C
hilean film-maker José Luis Torres Leiva’s new drama is actually a considerate therapy of terminal disease. It will get within the epidermis and inside views of two females: one or two, plus one of these is actually passing away of cancer tumors. Torres Leiva typed the program after losing three pals towards ailment. His film is actually anti-sentimental, a hard see, as the saying goes; the kind that leave you feeling slightly sensitive. But it is sensitive and painful, also, and attractively acted.
Ana (Amparo Noguera) and MarÃa (Julieta Figueroa) come into their own 40s. The film starts together with the two of all of them in a car. MarÃa inside passenger chair gently instructs motorist Ana to close off the woman sight, and also for a tense minute Ana drives blind, frightened. Afterwards, we realize that MarÃa has terminal cancer tumors. The thing that was she undertaking because second for the auto? Offering Ana a glimmer of her own terror in the dark?
We watch due to the fact females clean up their own apartment into the urban area and move to a cabin inside the woodland, where MarÃa has chosen to perish. Little is alleged; the discussion would fit on to a dozen or so typed pages. Torres Leiva is far more interested in the emotional weather condition, the way the two females gaze at each various other, or a hand sleeping on a shoulder. In the tub, MarÃa loses her temper with Ana for treating her like a young child, and rages at her sickness.
Two considerable digressions in the middle spoil the movie somewhat. One dramatises a strange fairytale MarÃa tells about a naked feral lady living alone from inside the forest; the other is children story about her uncle. Both thought some generically arthouse, somewhat uncomfortable experiments. In general, it really is a hard view in its method carefully comforting. As they can be in daily life, viewing people managing passing is actually unusually reassuring â it will make it feel doable somehow.